Tokyo James shattered expectations at Milan Fashion Week SS26 with a collection that treated tailoring as autobiography and identity as fractured glass. Shapes collapsed, fabrics argued with themselves, and heritage codes whispered through the cracks. It was not a runway show but a ritual space where fashion revealed its broken edges and turned them into beauty.

The last three days of Milan Fashion Week SS26 were charged with endings and beginnings. Armani’s farewell turned into elegy, Versace under Dario Vitale struck a new chord, Bottega under Louise Trotter reinvented its weave, while Ferragamo and Blumarine rewrote history with whispers and rebellion. Milan closed with fashion as memory and manifesto all at once.

Ferrari stepped onto the Milan runway with a collection that whispered instead of roared. Rocco Iannone stripped away spectacle in favor of precision, moving from pure white architectures to scorched denims and silken eveningwear. It was Ferrari not as heritage or hype but as discipline and restraint, a brand discovering power in stillness.

Louise Trotter’s debut at Bottega Veneta unfolded in Milan with quiet strength and clarity. The Spring Summer 2026 collection reimagines house codes like the intrecciato weave and the knot, balancing structure with fluidity while honoring the craft of the Veneto ateliers. It is a beginning that feels less like disruption and more like evolution.